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Kavyakantha Sri Ganapati Muni's

Siva Satakam

dvitīyaṃ upajātidaśakam

Siva Satakam By Kavyakantha Sri Ganapati Muni

Śiva Śatakam – Brief Introduction and Significance


Śiva Śatakam is a profound hymn of one hundred verses composed by Kāvyakaṇṭha Vāsiṣṭha Śrī Gaṇapati Muni in praise of Bhagavān Śiva, the supreme Lord who shines as the inner Self of all beings, the ruler of the universe, the destroyer of sin, and the giver of liberation. In this stotra, Śiva is adored not merely as a deity with a sacred form, but as the all-pervading Reality present in the sun, fire, wind, space, the heart of beings, and the entire cosmos.


The verses beautifully move from devotional praise to deep spiritual vision. Śiva is described as Aṣṭamūrti, the Lord of the eight cosmic forms; as Paśupati, the compassionate protector of beings; as the source of grace whose glance purifies the devotee; and as the supreme Consciousness beyond all names and forms. The hymn also praises the divine presence of Goddess Gaurī, the sacred Gaṅgā flowing through Śiva’s matted locks, and the saving power of Śiva’s holy names.


Recitation of Śiva Śatakam is especially beneficial for cultivating devotion, inner purity, courage, detachment, and peace of mind. The hymn repeatedly declares that remembrance, praise, and nāma-saṅkīrtana of Śiva remove sins, sorrow, fear, and worldly afflictions. It teaches that the lotus feet of Śiva are the true refuge of seekers, and that chanting His names is one of the simplest and highest means to attain spiritual welfare and liberation.


For devotees and sādhakas, this Śatakam serves as both a prayer and a meditation. It inspires surrender to Śiva, awakens discrimination, purifies the heart, and turns the mind away from worldly dependence toward the supreme grace of the Lord. Its recitation brings the devotee into the sacred current of Śiva-bhakti, leading gradually to inner stillness, divine protection, and the realization of the supreme Self.

॥ kāvyakaṇṭha vāsiṣṭha śrīgaṇapatimuni viracitam śivaśatakam ॥


atha dvitīyaṃ upajātidaśakam


umāvapuḥ saurabhamudgiranto bhūṣendupīyūṣakaṇān kirantaḥ ।

bhūteśacūḍāsaritastavāśu bhūyāsurāyāsaharāḥ samīrāḥ ॥ 11 ॥


muhurmuhurdikṣu vamannaparṇā dhammillasantānalatāntagandham ।

duḥkhāni vo dhūrjaṭijāṭajūṭasrotasvinī vātaśiśurdhunotu ॥ 12 ॥


āśliṣya pīyūṣamayūkharekhāṃ gāḍhaṃ jagadrājajaṭānikuñje ।

bahiḥ śanaiḥ sañcalitaḥ sukhaṃ vaḥ surasravantī pavanastanotu ॥ 13 ॥


svedaṃ harannaṅgabhavaṃ gaṇānāṃ dine dine'ṅgīkṛtatāṇḍavānām ।

yuṣmākamenāṃsi maheśamaulimandākinīmandamaruddhunotu ॥ 14 ॥


svidyanti te kandukakelisaṅgādaṅgāni mātaṅgamukhasya mātuḥ ।

ciraṃ bhajantaḥ śivaśīrṣagaṅgābhaṅgānilāḥ śāntimito bhaṇantu ॥ 15 ॥


bhavyaṃ kriyādvo bhavamauliraṅgādbhāgīrathībhaṅgabhavaḥ samīraḥ

lalāṭalolānalakānarālānutsārayanyo bhajate bhavānīm ॥ 16 ॥


āmantrya gaurīmukhagandhavāhamābhāṣya nāgānanakarṇavātam ।

calannitaḥ śarvaśiraḥ sravantī samīraṇaḥ sarvahitāya bhūyāt ॥ 17 ॥


mude satāṃ kairavabandhumaulimaulisravantī maruto'stu gānam ।

auśīnaraṃ yo yaśasā'tyaśeta bhūṣā'haye'nnaṃ sakalo'pi bhūtvā ॥18॥


bhūṣendurekhākiraṇairvibhaktairbhaṅgāvalīṣu dviguṇīkṛtā''bhā ।

bhavasya mauliṃ paritaścarantī bhāgīrathī vo vidadhātu bhadram ॥ 19 ॥


karāravinde giriśasya khelan kuraṅgabālaḥ kuśalaṃ kriyādvaḥ ।

viśvasya dhātrī nagarājaputrī yasmādadhīte taralekṣitāni ॥ 20 ॥

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