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Kavyakantha Sri Ganapati Muni's

Indrani Saptasati

dvitīyastanumadhyā stabakaḥ

Indrani Saptasati - The 700 Verses Mystical work of Kavyakantha Sri Ganapati Muni

This second Stabaka of Indrāṇī Saptasatī is a radiant meditation on Śacī Devī, Indrāṇī, as the all-pervading Cosmic Mother whose body is space itself. Śrī Gaṇapati Muni invokes Her inner smile to remove darkness and sustain all lights. The hymn begins with a prayer that the Mother may protect the distressed Ārya land, which is shaken by hostile forces, weak, and sorrow-stricken.


In these verses, Indrāṇī is revealed as the divine companion and power of Īśa in the creation and governance of the universe. She is called Māyā, the creative power of the Lord; Tapas of the Truth; Manīṣā, the wisdom of the Knower; Ājñā, the command of the Supreme Guide; Tejas, the divine brilliance; and Ānandarasa, the essence of bliss in effortless samādhi. Thus, the Stabaka presents Śacī not merely as a goddess of heaven, but as the living cosmic power behind knowledge, will, light, creation, and bliss.


A beautiful poetic vision follows: the Mother is described as ākāśaśarīrā, the one whose body is space. The sun shines like Her crown by day, the stars appear like flowers adorning Her at night, the moonlight anoints Her with cool radiance, and the red glow of dawn and sunset becomes the sacred beauty of Her face and feet. The whole sky becomes Her divine form.


The Stabaka also contains powerful healing and prāṇic prayers. The winds are described as Her breaths, capable of removing all diseases, strengthening prāṇa, calming sin, granting vitality, and removing inner heat and suffering. This makes the Stabaka especially significant as a hymn for health, vitality, purification, and inner strength.


Śrī Gaṇapati Muni then expands the vision to the entire cosmos. The countless worlds are like tiny hairs upon Her vast body. No one can count the stones of mountains, the sands of rivers, or the worlds that exist in Her cosmic form. She bears the universe while standing in the strength of Indra and is invoked to carry and protect the Āryas through the inspired wisdom of Vāsiṣṭha.


This second Stabaka is therefore a majestic hymn of cosmic vision, healing breath, divine beauty, and spiritual protection. It teaches the devotee to see the sky, the sun, the stars, the wind, the dawn, and the night as living expressions of the Universal Mother.


Highlights of this Stabaka:

• Prayer to Indrāṇī to remove darkness and sustain divine light

• Protection of the distressed Ārya land

• Revelation of Śacī as Māyā, Tapas, Manīṣā, Ājñā, Tejas, and Ānandarasa

• Vision of the Divine Mother as ākāśaśarīrā — She whose body is space

• Description of the sun as Her crown and the stars as Her night-flowers

• Meditation on dawn, sunset, moonlight, and night as forms of Her beauty

• Powerful prāṇic prayer for removal of disease and strengthening of life-force

• Invocation for the winds of the Mother to remove sin, suffering, and weakness

• Cosmic vision of countless worlds as ornaments on Her vast body

• Prayer for the protection and upliftment of the Āryas through Vāsiṣṭha’s wisdom

॥ dvitīyastanumadhyā stabakaḥ ॥


dhvāntaṃ parihartuṃ tejāṃsyapi bhartum ।

antarjagadambā hāsaṃ kurutānme ।। 26 ।।


bhītāmaridhūtāmāryāvanimetām ।

samrājñi budhānāṃ dūnāmava dīnām ।। 27 ।।


īśasya sahāyāṃ viśvasya vidhāne ।

ākāśaśarīrāmambāṃ praṇamāmaḥ ।। 28 ।।


karturbhuvanānāṃ māyāsi śaci tvam ।

satyasya tapo'si jñasyāsi manīṣā ।। 29 ।।


ājñāsi vinetustejosi vibhātaḥ ।

niryatnasamādherānandaraso'si ।। 30 ।।


tasya tvamananyāऽpyanyeva khakāyā ।

atyadbhutamāyā jāyā'si sahāyā ।। 31 ।।


ākāśaśarīrāṃ jāyāmaśarīraḥ ।

āliṅgya vibhustvāṃ nandatyayi citram ।। 32 ।।


vajreśvari ghasre yadvanmukuṭena ।

dīptena savitrā mūrdhā tava bhāti ।। 33 ।।


nakṣatrasahasraiśśubhradyutibhiste ।

puṣpāyitametairmātarniśimaste ।। 34 ।।


ghasraḥ khalu kālo rājyaṃ nanu kartum ।

rātriḥ khalu kālo rantuṃ ramaṇena ।। 35 ।।


niḥśabdataraṅgāsvaglauṣu niśāsu ।

nūnaṃ khaśarīre kāntaṃ ramayantī ।। 36 ।।


sāndroḍusumasragvibhrājitakeśā ।

dhvāntāsitacelā śāntā'pyasi bhīmā ।। 37 ।।


rājanmitatārāmandāravataṃsām ।

mātassitabhāsā smerāṃ hasitena ।। 38 ।।


jyotsnā ghanasāradrāvairanuliptām ।

tvāṃ vīkṣya na śāntiḥ kasya kṣaṇadāsu ।। 39 ।।


bālārṇarociḥ kāśmīrarajobhiḥ ।

āliptamukhīṃ tvāṃ prātaḥ praṇamāmi ।। 40 ।।


sāyaṃ samayaśrī lākṣārasaraktam ।

pratyak prasṛtaṃ te vande varade'ṅghrim ।। 41 ।।


dīptārkakirīṭāṃ sarvān vinayantīm ।

vande bhuvanānāṃ rājñīmasamānām ।। 42 ।।


dhūtākhilarogāḥ śvāsāstava vātāḥ ।

mātarvitarantu prāṇasya balaṃ naḥ ।। 43 ।।


prāñcastava vātāḥ śvāsāḥ śamuśantu ।

pratyañca ime naḥ pāpaṃ śamayantu ।। 44 ।।


manmātaravāñco vīryaṃ vitarantu ।

santāpamudañcaḥ sarvaṃ ca harantu ।। 45 ।।


asyā iva bhūmerbhūtaprasavāyāḥ ।

ekaikaśa āhuryeṣāṃ mahimānam ।। 46 ।।


adrerupalānāṃ nadyāḥ sikatānām ।

yeṣāṃ ca na kaścicchakto gaṇanāyām ।। 47 ।।


romāyitametairgolaistava kāye ।

vyākhyātamanena ślāghyaṃ tava bhāgyam ।। 48 ।।


viśvaṃ vahasīdaṃ jambhāribhujasthā ।

āryānvahamātarvāsiṣṭhamatisthā ।। 49 ।।


ādyāṃ bhuvanānāṃ bhartustanumadhyām ।

bhaktasya bhajantāmetāstanumadhyāḥ ।। 50 ।।


॥ iti dvitīyaḥ stabakaḥ ॥

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